Remy Ma is back in the booth, and this time she’s taking direct aim at boxing champ Claressa Shields. It’s a Bronx vs. Detroit showdown we didn’t see coming!
On Connie Diiamond’s new single “Head Tap”, the Bronx legend uses her guest verse to unleash a set of stinging bars widely believed to target Shields—who just so happens to be dating Remy’s estranged husband, Papoose.
“You number two and you mad I’m the one bh / It ain’t my fault you a dusty and bum bh,” Remy Ma spits on the second verse, before doubling down with gun talk and prison references that fans say clearly point to her ongoing tension with the self-proclaimed GWOAT. You know Remy always keeps it 100!
The record’s title sets the stage perfectly, as Remy flips Shields’ repeated challenges to fight her into lyrical warfare. The aggressive tone, combined with Diiamond’s gritty hook and an outro inspired by Kendrick Lamar’s “Not Like Us”, gives the track an undeniable edge. It’s that classic NY energy we love.
But it’s not just music fueling the hype—this is personal. Remy and Papoose’s split, marked by public accusations and divorce filings, has kept fans locked in. When Papoose moved on with Shields, the drama spilled online. Remy accused Shields of inserting herself into their marriage issues, while Shields clapped back, promising she wouldn’t stay quiet and even hinting at building a family with Papoose. Whew, chile…the internet stays undefeated!
Now, Remy’s verse on “Head Tap” makes it clear that she’s not done addressing the situation. For Connie Diiamond, the track represents a career milestone, pairing her with one of New York’s most respected lyricists. But for Remy and Shields, it’s just the latest round of a bitter feud that’s playing out on one of hip-hop’s loudest stages: the music. Is this beef just getting started, or will this track be the final word? Stay tuned, BlkCosmo fam!
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Disclaimer:
For Education and discussion purposes. Please note no copyright infringement is intended, was recorded on BlkCosmo’s own equipment, and we do not own nor claim to own any of the original recordings used in this video and intend to use this as ‘fair use’.
