Victoria Monét has never been one to rush the listening experience, and her latest project ‘Frequency of Love’ proves she’s willing to push her audience even further into the deep end. The 22-track album is a deliberate, texture-rich exploration that prioritizes mood and sonic architecture over immediate gratification. It’s the sound of an artist who knows exactly what she wants to say and refuses to compromise the vision for radio-ready moments.
The response has been split right down the middle, which honestly speaks volumes about what Victoria Monét is attempting here. Some listeners heard a woman completely secure in her artistry, commanding every element of her sound with intention and grace. Others came expecting the polished brilliance of ‘Jaguar II’ and found themselves looking for something more immediately accessible. Both reactions are valid, and the internet had plenty to say about where this album lands in her discography.
What makes this moment worth paying attention to is the conversation it’s sparked about what we expect from our R&B artists. There’s something powerful about a Black woman in the industry choosing to make a quiet, contemplative album that refuses to pander. Whether ‘Frequency of Love’ becomes your most-replayed project or your occasional deep dive, it’s a reminder that artistry isn’t always about meeting expectations—sometimes it’s about redefining them entirely.
