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Shia LaBeouf Charged in New Orleans Bar Fight

Shia LaBeouf is now facing three misdemeanor charges tied to an alleged confrontation during Mardi Gras. The Honey Boy actor’s legal troubles are raising questions about accountability and what happens when fame meets poor decision-making.

Court records show the Orleans Parish District Attorney’s Office charged him with three counts of simple battery following an alleged February 17 incident outside a bar in New Orleans’ French Quarter. Shia LaBeouf was first arrested after the alleged encounter and booked on two counts of simple battery. He was arrested again on Feb. 28, when an additional simple battery count was added.

According to a New Orleans Police Department report, authorities alleged LaBeouf was kicked out of a bar after causing a disturbance. Police claimed he struck one person, left the area, then came back and allegedly struck that person again before assaulting a second individual.

One alleged victim previously revealed that he helped restrain LaBeouf until officers arrived, claiming the actor was “screaming at everybody” and “lunging at” people. LaBeouf was taken to a hospital for unknown injuries before being arrested after his release, according to the police report.

Following his release from custody, LaBeouf posted “Free me” on X. He remains out on bond under court-ordered release conditions. The actor has since addressed the allegations on the Channel 5 podcast, saying he doesn’t have a drinking problem but rather what he calls a “small man complex.”

His candid admission sparked conversations about personal accountability and self-awareness—themes that resonate across hip hop biography and cultural meditation spaces where artists examine their own behavior and growth. Whether this moment leads to genuine reflection remains to be seen.

★m★

Akon on Polygamy: Nobody Violates Wife No. 1

Akon is opening up about his personal life in ways we haven’t heard before. The “Lonely” singer recently got candid about polygamy during an appearance on the We Need to Talk podcast, and honestly, the conversation is making waves.

During the episode, the 53-year-old rapper—whose legal name is Aliaune Badara Thiam—confirmed he has more than one wife but kept the exact number under wraps. “I’ll just leave that to your imagination,” Akon said with a knowing smile. When asked about polygamy, he explained the structure: he’s the only man in the arrangement, and his wives don’t have other partners. It’s a setup that requires real maturity and communication.

What really stood out was how Akon spoke about his first wife. He made it clear she holds a sacred position in the family dynamic. “That one is the reason you even got one, two or three. She’s the queen,” he said with respect. “Nobody violates wife No. 1. The moment they violate, [they are] out the door.” There’s clearly a hierarchy, and wife number one is protected.

According to Akon, the first wife carries the heaviest load when new members join the family. “With new people [joining] your family, there’s going to be new attitudes, new mindsets, new behaviors,” he continued. She has to navigate all of that—it’s no small task. The shift requires the kind of emotional intelligence you’d find in someone reading a curated reading list on relationships and family structures.

Akon emphasized that keeping everything healthy comes down to one thing: communication. “You got to be mature enough to know that if this is the situation that I’m going to park in, I have to communicate,” he said. No surprises. No resentment building up quietly. Just honest conversation.

It’s worth noting that Akon’s first wife, Tomeka Thiam, filed for divorce in September after nearly three decades of marriage. That development adds another layer to this public discussion about his family arrangement. Despite the split, Akon’s words suggest he still holds respect for what they built together and the role she played in his life.

US-Senegalese singer Akon and his wife Tomeka “Amirror” Thiam arrive for the 2024 BET Awards at the Peacock theatre in Los Angeles, June 30, 2024. (Photo by Michael TRAN / AFP) (Photo by MICHAEL TRAN/AFP via Getty Images)

This conversation around family structure, cultural practices, and modern relationships continues to spark important dialogue. Akon’s willingness to speak openly about something so personal shows where we’re heading as a culture—toward conversations that aren’t always easy but are necessary.

★m★

Serena Williams Returns to Tennis: Grand Slam Champ Ends Retirement

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For a brief period, the sports world tried to imagine a future without Serena Williams holding a racket. That quiet phase just ended. The greatest athlete alive is not done yet. Fans and critics alike spent the past few years adjusting to her absence from the Grand Slam tournaments. We watched her shift her focus to venture capital, motherhood, and building her personal empire. People assumed her departure from the court was a permanent reality. True competitors operate on an entirely different internal clock. The 39-time Grand Slam winner in singles and doubles just announced she is coming back.

The news arrived casually, dropping onto social timelines without warning. She did not orchestrate a massive press conference or release a lengthy documentary to break the story. She simply stated the facts. Her retirement did not last long. We are looking at a highly calculated return from a woman who understands her physical and mental capabilities better than anyone else. Tennis has enjoyed a surge in viewership recently, driven by a new generation of fierce talent. The foundation of that modern era was built by one person. Now, the builder is returning to test the house she built.

You have to respect the psychology behind a move like this. Serena Williams dominates on her own terms. When she stepped away, she dictated the narrative. She called it an evolution rather than a retirement. That specific choice of words left the door slightly cracked. Over the past couple of years, she poured her energy into Serena Ventures, backing diverse founders and disrupting the typical Silicon Valley boys club. She walked exclusive red carpets and expanded her fashion footprint. She lived life out loud. But the pull of the court is distinct. The baseline is a familiar sanctuary. It calls back those who know how to command it.

We can already picture her arriving at the next Grand Slam event. She always sets the tone before she even unpacks her racket. Her presence alone shifts the energy of a stadium. We know she will step onto the hardcourt wearing a custom tennis skirt that nods to both performance and high fashion, the aesthetic is always just as deliberate as the serve. She understands the weight of visual intimidation and personal branding. Her opponents know that when she walks out of the tunnel, the match has already begun. The outfits, the confidence, the silent focus, it is all part of the overarching strategy.

This comeback completely alters the current tour dynamics. Top players who have established their dominance over the last few seasons now have to face the final boss. Imagine being a rising star who finally reached the top ten, only to see her name in your side of the bracket. The locker room conversations are shifting immediately. Players respect her legacy, but the reality of returning her serve on a Tuesday afternoon is a completely different challenge. She brings a level of raw strength and strategic depth that forces every single opponent to play above their natural baseline.

Why return now? Some might speculate she misses the spotlight, but her celebrity status has never been higher. The motivation is likely much simpler. She loves the game. She thrives in the crucible of competition. Achieving thirty-nine Grand Slam titles across singles and doubles requires an obsession with winning that does not just evaporate when you have a child or start a business. The physical toll of the sport is brutal, but her team is world-class. If she says she is ready to compete, she has put in the unseen hours to guarantee her body can handle the grueling schedule.

The 2026 season just received the jolt it desperately needed. Tickets for upcoming tournaments will vanish in minutes. Broadcasters are scrambling to adjust their coverage plans. The cultural conversation will center heavily on her journey back to peak form. She is older now, bringing veteran wisdom to a game heavily populated by athletes in their early twenties. We are about to watch an athlete refuse to let standard timelines dictate her prime. She writes the script. We just get to watch her dominance unfold on the clay, the grass, and the hardcourts.

Culture Recommendation: While we prepare for this massive sports return, dive deeper into the narratives of greatness that shape our world with our curated selections of African American history. And if you are upgrading your own space this season, check out our favorite home essentials to keep your sanctuary pristine.

Brandy and Monica’s Roots Picnic Reunion Was More Than Nostalgia It Was a Masterclass in Legacy

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Brandy and Monica’s Roots Picnic Reunion Was More Than Nostalgia—It Was a Masterclass in Legacy

The enduring friendship between Brandy and Monica took center stage at Philadelphia’s 2026 Roots Picnic, delivering one of the festival’s most memorable and culturally significant moments.

As thousands gathered at Belmont Plateau for a weekend celebrating music, community, and Black creativity, few could have anticipated the emotional impact of Brandy’s surprise guest. When Monica emerged onstage to perform her signature hit “So Gone,” the audience erupted—not simply because two R&B icons were sharing a stage, but because they were witnessing a relationship decades in the making.

The embrace between the two women felt genuine, unguarded, and deeply symbolic. In an industry that once profited from narratives designed to pit them against one another, Brandy and Monica stood before the crowd as living proof that time, growth, and mutual respect can outlast manufactured rivalries.

For many Black music fans, their journey mirrors an entire era of popular culture.

Throughout the 1990s and early 2000s, media outlets frequently framed the singers as competitors, reducing two extraordinary talents to opposing sides of a narrative that generated headlines but rarely reflected reality. Yet while rumors and speculation dominated entertainment coverage, both artists quietly evolved into women navigating fame, motherhood, entrepreneurship, and longevity within an industry that often struggles to make room for mature Black female artists.

That history gave their Roots Picnic reunion extraordinary weight.

Watching them command the stage today provides a rare sense of continuity. Fans who once debated vocal runs, album sales, and chart positions now witness something far more meaningful: two legends choosing collaboration over competition and sisterhood over spectacle.

The visual presentation elevated the moment even further.

Brandy arrived in a striking Cross Colours denim ensemble that immediately evoked the spirit of 1990s Black fashion and hip-hop culture. The oversized silhouette, accented by bold black, red, yellow, and green color blocking, paid homage to a brand that helped define an era. Red gloves and a matching Los Angeles fitted cap completed the look, while her braids tied the entire aesthetic together.

The styling never felt costume-like or manufactured. Instead, it served as a reminder that Black fashion history remains as influential today as it was decades ago. In a period when vintage streetwear and cultural authenticity continue to shape modern style, Brandy’s wardrobe choice connected generations through a shared visual language.

Then came Monica.

As the opening notes of “So Gone” filled the air, the atmosphere shifted from excitement to celebration. The 2003 classic remains one of the defining records of its era, but performing it alongside Brandy added a new emotional dimension. The pair exchanged smiles, harmonies, and knowing glances with the ease of people who understand each other’s journeys beyond what the public has ever seen.

Their chemistry was effortless.

There were no attempts to outshine one another. No manufactured drama. No competition for attention. Instead, the performance reflected the confidence that comes from artists who no longer need to prove their greatness because their legacies have already done the work.

In many ways, the reunion challenged one of the entertainment industry’s most persistent myths: the idea that successful women must exist in competition with one another.

Brandy and Monica demonstrated the opposite. Their continued support for each other reveals how powerful it can be when women choose collaboration, community, and shared celebration over division. That message resonated far beyond the festival grounds.

The moment also arrives as anticipation builds for their upcoming appearance at ESSENCE Festival 2026, where fans will once again have the opportunity to witness two of R&B’s most influential voices sharing the spotlight.

Yet what made Roots Picnic special wasn’t merely the nostalgia.

It was the reminder that longevity is built on authenticity.

The music industry often relegates veteran artists to the sidelines or confines them to legacy status disconnected from contemporary culture. Brandy and Monica continue to reject those limitations. They remain active participants in the conversation, honoring the catalogs that made them icons while continuing to evolve in ways that feel relevant and meaningful.

Perhaps that’s why their reunion resonated so deeply.

Beyond the vocals, the fashion, and the social media buzz was a simple but powerful truth: surviving the pressures of fame, particularly as young Black women in the spotlight, requires resilience. Finding someone who truly understands that journey is rare.

Their embrace at the conclusion of the performance said more than any interview ever could.

At a festival built around culture and community, Brandy and Monica delivered a reminder that legacy isn’t measured solely by awards, chart positions, or record sales. Sometimes, legacy is measured by who remains standing beside you decades later.

And on that stage in Philadelphia, two legends stood together—still thriving, still inspiring, and still writing the next chapter on their own terms.

Stacey Rusch Calls Out Gizelle and Ashley

Real Housewives of Potomac is serving up some serious tea, and Stacey Rusch isn’t holding back. She’s been real about what she sees in Gizelle Bryant’s approach to the show, and honestly, it’s the kind of honesty we appreciate.

While speaking with Vulture, Stacey broke it down about Real Housewives of Potomac dynamics. “Gizelle Bryant is exactly who she is on-camera,” Stacey said. “You get what you get, 24/7, lights on or lights off, cameras up or cameras down.” She kept it real: “Gizelle is just going to be Gizelle.”

When asked who she sees as the show’s villain, Stacey didn’t hesitate. “Every show needs a villain,” she explained. “And some people are just organically made to fill that role. And we all know who we’re talking about: Gizelle.” It’s that kind of stated clarity that makes reality TV conversations so compelling.

Gizelle is known for giving newcomers a hard time, and Stacey didn’t shy away from expressing her frustrations. During her debut season, she spent much of her time “fighting for my life” dealing with drama that kept the cast from really getting to know her “quirky and joyous” personality. That’s the kind of personal struggle many can relate to—when you’re caught up in unnecessary conflict and can’t show your true self.

The tension between these two has been real. Back in January, Stacey responded after Gizelle questioned her reconciliation with her husband, Thiemo Rusch. “I am in a relationship where I feel safe, supported, and deeply loved,” Stacey said at the time. “And I don’t think Gizelle recognizes that.” It’s a statement that speaks to deeper values about respect and boundaries.

Stacey also called out Gizelle’s bestie, Ashley Darby, describing her as “wishy-washy” and “messy.” These are the kinds of character assessments that keep viewers talking and analyzing every interaction on the show.

★m★

Minnie Foxx Launches Inspiring Book Series

Minnie Foxx releases new book Motivationally Speaking. Photo: Courtesy of Minnie Foxx 2026

Author, motivational speaker, and community advocate Minnie Foxx is bringing her message to the page with Motivationally Speaking the Series of Seven – Inspirational Expressions, the first release in a planned seven-book collection. The project introduces a faith-centered, affirming body of work focused on perseverance, healing, and self-worth, with Foxx framing the series as an invitation to reconnect with purpose.

For readers who have followed Minnie Foxx through her speaking engagements and community outreach, the move into publishing feels pretty natural. Her voice has long lived in live rooms, on stages, and in direct conversation with people looking for clarity or a reset. This first book carries some of that same energy, landing somewhere between motivational reflection, spoken word, and cultural meditation.

Foxx blends poetic encouragement with spiritual insight, building a tone that is personal without feeling closed off. The writing leans toward uplift, but it is also rooted in the everyday work of keeping your confidence intact when life gets noisy. There is a practical side to that kind of messaging, especially for readers who want something they can return to in quiet moments, the way people keep a curated reading list nearby for whatever season they are in.

As a performer and empowerment speaker, Foxx has spent years centering messages about helping people help themselves. This literary chapter extends that mission in a more intimate format. Instead of a one-night event or a single seminar, the book offers a companion readers can sit with over time, whether that means a few pages in the morning with cold brew or a late-night pause after a long day.

Author, Actress, Model Minnie Foxx releases new motivational book. Photo: Courtesy of Minnie Foxx 2026

“Making self-esteem and worthiness part of everyday life is essential. We deserve greatness.” That idea sits at the center of the release and gives the book its clearest point of view. Foxx is not writing from a distance. She is speaking directly to people who may be rebuilding, questioning themselves, or trying to hold on to something steady.

Her approach touches mental, emotional, and spiritual wellness without overcomplicating the language. That matters. A lot of inspirational books drift into abstraction, but Foxx seems more interested in accessibility than polish for polish’s sake. The result is a book that feels less like a lecture and more like a check-in from someone who understands that growth can be messy.

There is also something familiar in the way the project speaks to Black audiences who have long turned to testimony, performance, and community wisdom as forms of survival and renewal. While this is not positioned as adult nonfiction in a strict bookstore sense, it does sit in conversation with that tradition. It is not Afrofuturism, a hip hop biography, or the kind of title you would confuse with a pulitzer prize winner from an independent press. Still, it belongs to a wider culture of affirming literature that values reflection, voice, and the power of naming your own worth.

The debut installment promises affirmations, reflective passages, and encouragement aimed at readers navigating life’s harder stretches. Six more books are planned, which suggests Foxx is thinking beyond a single release and toward a fuller body of work. In a media space crowded with image, performance, and presentation, there is something refreshing about choosing the slower format of a book. No statement piece, no designer handbags, no tuxedo blazer energy needed. Just the words, the intention, and a clear desire to reach people where they are.

Motivationally Speaking the Series of Seven – Inspirational Expressions is now available. Readers looking for encouragement, faith-rooted affirmation, and a reminder to trust their own voice can also keep up with Foxx through her public platforms at https://www.facebook.com/minnie.foxx/ and https://www.instagram.com/minniefoxx_/.


★e★

Drake vs LeBron: Eddie Griffin Breaks It Down

Comedian Eddie Griffin has no plans to add Drake’s ICEMAN to his rotation. The hip hop biography of the Toronto rapper’s latest release has everyone talking, but Griffin’s taking a pass on this one.

On a recent episode of NNN, the comedian reacted to Drake’s latest drop and the conversation around “Make Them Remember,” a track featuring a rumored LeBron James diss. The hip hop biography moment had people online debating whether Drake crossed a line.

Drake released ICEMAN and two additional albums, HABIBTI and MAID OF HONOUR, on May 15.

“I haven’t heard the album because I refuse to buy garbage,” Griffin said with his signature bluntness.

His issue seemed to be that Drake was calling out James after the NBA star publicly supported West Coast rapper Kendrick Lamar. James attended Lamar’s 2024 Pop Out concert in Los Angeles, where he was seen enjoying “Not Like Us.” For Drake, that felt like a betrayal worth addressing on wax.

“He took a picture with your enemy? I didn’t know y’all were dating,” Griffin joked, before adding that Drake “sounds like a b—h to me.” The comedian wasn’t holding back, and his commentary sparked conversations across social media about loyalty in the music industry.

Griffin didn’t stop there, adding, “It’s over. Just take your owl ass and travel in the dark quietly because owls, they move quietly,” he said, referring to Drake’s longstanding owl symbolism.

Drake does not mention James by name on “Make Them Remember,” but the lyrics appeared to reference the Lakers star’s jersey number and career moves. Fans pieced together the subtext like detectives solving a mystery.

Drake’s ICEMAN was a major commercial success, debuting at No. 1 on the Billboard 200 with 463,000 equivalent album units earned in its first week. The album delivered the second-biggest week of 2026 for any release and the biggest week of the year for an R&B or hip-hop album. ICEMAN, HABIBTI, and MAID OF HONOUR debuted at Nos. 1, 2, and 3 on the Billboard 200 at the same time. ICEMAN also gave Drake his 15th No. 1 album, moving him ahead of Jay-Z among solo male and R&B/hip-hop artists and tying him with Taylor Swift for the most No. 1 solo albums.

★m★

Priscilla Presley on Her Bizarre Bond With Jackson

In 1994, Priscilla Presley became Michael Jackson’s mother-in-law when he married Lisa Marie Presley. Priscilla said she didn’t have any knowledge of their wedding in advance. This wasn’t the only issue she had with Jackson. She found his behavior off-putting and didn’t think he was good for her daughter. The tension between them was real—Priscilla never really connected with her son-in-law. Michael Jackson went to great lengths to avoid her, which only confirmed her concerns.

Priscilla Presley said she found Michael Jackson’s behavior strange

While Priscilla had concerns about Jackson, she said that when Lisa Marie started dating him, she wanted to be civil with him. She didn’t get a chance to talk to him, though. The disconnect was immediate and uncomfortable.

“My relationship with Michael was bizarre from the beginning,” Priscilla wrote in her book Softly, As I Leave You. “Not long after Lisa started dating him, she invited me to a party that he was attending at her house. She’d invited a group of people over to eat, and Michael was included. I thought it might be a good chance for me to get to know him a little and see if my concerns were valid. I was prepared to be pleasant, but he wanted nothing to do with me. He stayed as far away from me as possible. In fact, he stayed far away from all the adults.”

Priscilla said she thought Michael might just be shy. When she asked Lisa Marie about him, she said that he spoke to her normally when they were in private. Priscilla never saw this side of him, though. She said that he didn’t talk to her, even after he married Lisa Marie. It was strange and hurtful, really—like being deliberately excluded from a family moment.

“He continued to go to great lengths to avoid me,” she wrote. “My only actual contact with him was during an Elvis event in Memphis … I went by the hotel beforehand to meet up with Lisa and asked her where Michael was. She said he was in the other room. He didn’t come out to greet me. A few minutes after I arrived, the door down the hall opened, and Michael popped out. He grabbed his hat off the table where he’d left it, sort of smiled, and then popped back in the room and shut the door. He said nothing to me on the way to the show.”

Priscilla said that this was her one and only interaction with Jackson—just a fleeting, awkward moment that said everything.

She saw him as manipulative

Priscilla said she disapproved of Jackson’s relationship with Lisa Marie from the beginning. She worried that because Jackson was a big Elvis fan, he was only looking for a way to get closer to the Presley family. She also thought Jackson wanted to improve his image amid allegations of child sexual abuse. Her instincts told her something was off, and she felt compelled to protect her daughter.

“Lisa had first met him in Las Vegas as a child and reconnected years later,” she wrote. “He was ten years older than she was, the same age difference there had been between Elvis and me. Michael had started reaching out to her when the child abuse charges went public. I think that’s how he hooked her in the beginning. She felt very sorry for him, and naturally, she believed in his innocence.”

She believed that he was manipulating Lisa Marie throughout their relationship. What looked like romance to her daughter felt like a calculated strategy to Priscilla.

“Michael was a manipulative man, and I think he had his sights set on her long before she realized it,” she wrote. “The childlike innocence he projected was part of his public mask. She learned this early on, and it bothered her, but she didn’t see it for the warning sign it was.” Priscilla’s Michael Jackson critique is sharp and unflinching—she saw through what others missed.

Priscilla Presley said she felt relieved when her daughter left Michael Jackson

While Priscilla said that Lisa Marie initially believed Jackson was innocent, the allegations began to weigh on her. They ended their marriage in 1996. Priscilla said this came as a relief—like a weight had finally lifted off the family.

“Finally, she’d had enough,” Priscilla wrote. “She called me to tell me she wanted a divorce. She had begun to feel like the marriage was a setup. He didn’t want to be with her; he wanted to be with Elvis Presley’s daughter. If he’d wanted to be with her, he wouldn’t have been gone for most of their marriage.” The truth was painful but necessary to face.

Priscilla said that Elvis would have felt the same relief as she did when Lisa Marie left Jackson. Sometimes as parents, we see things clearly before our children do—and we can only hope they find their way back to themselves. That’s what happened here.

★m★

Diddy Faces Fresh Legal Fight Over 17th Floor

Mass incarceration cases like Diddy’s continue to dominate headlines and spark important conversations about accountability. The mogul is now facing another civil lawsuit in Los Angeles that’s heading toward trial, adding to his mounting legal troubles.

Bryana “Bana” Bongolan, a creative director and close friend of Cassie Ventura, filed the suit over an alleged 2016 balcony attack. According to the lawsuit, Diddy entered Cassie’s Los Angeles apartment and held her over the railing of a 17th-floor balcony for what she claims was “10 to 15 seconds” before throwing her onto patio furniture. Bongolan says the incident left her with bruising, back and neck pain, and mass incarceration trauma that still affects her today.

Bongolan previously testified during Diddy’s June 2025 criminal trial, where Cassie served as the government’s star witness. Before taking the stand in that case, Bongolan invoked her Fifth Amendment right against self-incrimination. The judge issued an immunity order, and during cross-examination, Diddy’s defense questioned whether she was using drugs at the time of the alleged incident. She denied those claims and said she came forward seeking “justice.”

The civil case is currently headed for a May 3, 2027, trial date. The defendants include Diddy, Bad Boy Entertainment LLC and CeOpco LLC. This case joins a growing collection of legal battles that have shaped the narrative around accountability in the entertainment industry—a conversation that requires real honesty and thoughtful consideration.

Diddy is currently being housed at FCI Fort Dix in New Jersey, with a projected release date of April 15, 2028. He is appealing his Mann Act conviction while also asking for a jury in Clayton Howard’s $20 million lawsuit.

★m★

Yaya Mayweather Denies NBA YoungBoy Reunion

Yaya Mayweather wants the internet to retire one storyline for good. The 24-year-old daughter of Floyd Mayweather Jr. and Melissa Brim recently spoke out after a viral video showed her vibing to NBA YoungBoy, the father of her son. In the clip, she’s rapping along word for word to his track in Houston, and naturally, the internet had thoughts.

When an X user claimed the video proved she still had feelings for him, Yaya decided to set the record straight. She hopped online to respond with clarity: “no i don’t want to still be with my child’s father, no i’m not still in love with him, no i’m not obsessed that ship has sailed. so can we please let that narrative go? i just enjoy the music like everyone else, that’s it nothing more to it. thanks for coming to my ted talk.” It’s the kind of direct energy we appreciate—no room for speculation or NBA YoungBoy discourse that doesn’t belong to her.

The two share Kentrell DeSean Gaulden Jr., 4, and have clearly moved on to separate chapters. YoungBoy, whose real name is Kentrell DeSean Gaulden, is now married to Jazlyn Mychelle Hayes, with whom he welcomed his 13th child in February. He also has children with several other former partners.

The Louisiana rapper has been on an incredible run, sending multiple projects to No. 1 on the Billboard 200, including AI YoungBoy 2, 38 Baby 2, Top, and Sincerely, Kentrell. In 2025, Billboard reported that he had more charting albums on the Billboard 200 than any rapper in the chart’s history—a testament to his consistent output and influence in hip hop biography conversations.

★m★